The church of the suburb of Guibray, situated outside the walls of Falaise and to the south, occupies the primitive site of a pagan sanctuary, transformed into a chapel, in the Merovingian period, before 650.
In c. 1000, a new church was built, and re-worked between the end of the 11th century and the end of the 12th century, on a Romanesque plan with a central nave, two side aisles and a short transept, at the instigation of the abbey of the Trinité in Caen. The church is a dependency of the abbey of Caen like all the churches of Falaise through a donation in 1066 by the lord of Falaise, Mézidon and Ecajeul. The unity of the building was significantly disrupted by numerous re-workings, from the 13th century, but the façade from the 12th century has been preserved as well as the chevet from the end of the 11th century, with its three apses on several floors, very like those in Saint-Nicolas in Caen. The choir, stripped of its neo-classical decoration in 1986 has had its Romanesque arcatures restored to it. Some interesting Romanesque capitals top the pillars of the transept, choir and its side aisles.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.