The Château de Tonquédec is one of the most visited monuments in the département of the Côtes d'Armor. The castle ruins with its several towers and a closed curtain wall is one of the most impressive French medieval sites. From the height of a rocky cliff it dominates the valley of the Léguer. It is a genuine vestige of feudal Brittany. The present castle was built in the 15th century, on the site of an earlier 12th-century castle (built by the Coëtmen-Penthièvre family). It was partially dismantled by order of Jean IV, Duke of Brittany, in 1395 because of a conflict between him and the Penthièvres. Indeed, Rolland II and Rolland III of Coëtmen, Viscounts of Tonquédec, had allied themselves to the rebellion of Olivier de Clisson.
Reconstruction began in 1406 by Rolland IV of Coëtmen. The castle subsequently changed owners several times, before becoming an artillery base in 1577. At this time, the owning family (Goyon de La Moussaye), being Protestant, was therefore in disagreement with the king, Henri IV. During the War of the League, the castle was a hiding place for Huguenots. It was finally dismantled around 1622 on the orders of the powerful Cardinal Richelieu.
The castle currently belongs to descendants of the original builders, House of Coëtmen-Penthièvre. The entrance gate leads to an outer fortified courtyard or basse-cour. Two towers, joined by a curtain wall, frame the entrance to the inner courtyard which is reached by a postern, once protected by a moat and drawbridge. The keep with walls 4m thick, stands detached from the curtain walls, at the rear of the ensemble. The ruins may be visited from April to October.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.