The Château de Kérouzéré is a Breton manor castle built in granite in the first half of the 15th century for Jean and Yves de Kérouzéré, seneschal of Morlaix, and followers of the dukes of Brittany. Visible from the sea, Kérouzéré was dangerously exposed and was particularly vulnerable to English attacks. As such the duke permitted him to erect a single tower of more than twenty-four feet in width with crenellations and ditches. This construction caused a major controversy with the neighboring seigneur of Kermorvan. As a result, from 1466 the building was always unfinished and, in 1468, François II had to grant a second authorization for its completion. The original tower is the part of the manor-house located to the west of the current entry (the window of the chapel sits above it).
It was besieged in 1590 during the French Wars of Religion and seriously damaged as the southeast tower was destroyed. It was rebuilt around 1600. There are four superimposed halls: the lowest hall is on the right of the entry and the upper-hall, arranged in the roof, gives access to the covered wall-walk. The kitchen, the common rooms and the private quarters, above, are directed towards the west. There were originally four corner towers; the moat, of which vestiges remained until the last century, has been filled in. The interior of the manor-house still has some 17th century wall paintings. The roof of the northwest tower was restored at the end of the 19th century.
Today visitors to the castle can still see the armoury, chapel, stairs, wall-walk and the watchman's tower with a view over the sea. There is also a 15th-century dovecote still standing on the grounds.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.