Munch Museum (Munch-museet) is an art museum dedicated to the life and works of the Norwegian artist Edvard Munch. The museum was financed from the profits generated by the Oslo municipal cinemas and opened its doors in 1963 to commemorate what would have been Munch's 100th birthday. Its collection consists of works and articles by Munch, which he donated to the municipality of Oslo upon his death, and additional works donated by his sister Inger Munch, as well as various other works obtained through trades of duplicate prints, etc.
The museum now has in its permanent collection well over half of the artist's entire production of paintings and at least one copy of all his prints. This amounts to over 1,200 paintings, 18,000 prints, six sculptures, as well as 500 plates, 2,240 books, and various other items. The museum also contains educational and conservation sections and also has facilities for performing arts.
The museum structure was designed by the architects Einar Myklebust and Gunnar Fougner (1911-1995). Myklebust also played an important role in the expansion and renovation of the museum in 1994 for the 50th anniversary of Munch's death. The new museum will probably be completed in 2017 by the Spanish studio Herreros Arquitectos.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.