The stave churches constitute one of the most elaborate types of wood construction which are typical of northern Europe from the Neolithic period to the Middle Ages. Christianity was introduced into Norway during the reign of St Olav (1016-30). The churches were built on the classic basilical plan, but entirely of wood. The roof frames were lined with boards and the roof itself covered with shingles in accordance with construction techniques which were widespread in Scandinavian countries.
Among the roughly 1,300 medieval stave churches indexed, about 30 remain in Norway. Some of them are very large, such as Borgund, Hopperstad or Heddal churches, whereas others, such as Torpo or Underdal, are tiny. Urnes Church was selected to represent this outstanding series of wood buildings for a number of reasons, which make it an exceptional monument:Its antiquity: This church, which was rebuilt towards the mid-12th century, includes some elements originating from a stave church built about one century earlier whose location was revealed by the 1956-57 excavations.
The exemplary nature of its structure: This is characterized by the use of cylindrical columns with cubic capitals and semicircular arches, all of which use wood, the indigenous building material, to express the language of stone Romanesque architecture.
The outstanding quality of its sculpted monumental decor: On the outside, this includes strapwork panels and elements of Viking tradition taken from the preceding building (11th century). In the interior is an amazing series of 12th-century figurative capitals that constitute the origin of the Urnes Style production.
The wealth of liturgical objects of the medieval period: This includes Christ, the Virgin and St John as elements of a rood beam, a pulpit of sculpted wood, enamelled bronze candlesticks, the corona of light, etc.
Excellent conservation of a perfectly homogeneous ensemble: The embellishment of the 17th century (1601 and c. 1700) and the restorations of 1906-10 preserved its authenticity completely.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.