Værnes Church, the oldest building in Stjørdal, was built around 1085-1100. It was nearly started at the same time as the Nidaros Cathedral in Trondheim. Under the high roofs the centuries have written their autographs. Pictures of gods and devil´s masks fight ruthlessly about the hegemony in the human soul. The dramaturgy of the Middle Age comes alive in the life- or death battle that unfolds before our eyes on the church walls.
If you lift your eyes even further, towards the roof-truss, you can see the last millennium face to face. Nowhere else in the country you will have such an opportunity to admire the art of carpentry as it was displayed nearly 900 years ago. This is one of the reasons why the Church of Værnes is a familiar name in antiquarian circles on the whole continent. The wooden ceiling is the original from the 12th century, and the only one still in existence. It has a span of more than 11 meters and has been the inspiration for reconstructions of roofs in other medieval buildings in Norway (the Nidaros Cathedral in Trondheim and Håkonshallen in Bergen).
The Church of Værnes is a cultural treasure, perhaps because the majestic church building gives us a close contact with the mysticism and sentiment of the past. Many people come here to contemplate about the mysteries of life - great and small. The thoughts wander among the beams under the roof, casting curious glances at the 'Værnes Chair', made in 1685 as the private pew for the squire of Værnes (General Schultz and his wife). This chair shows us a mastery in wood carving that amazes everyone with its perfectionism and richness in details. Fine wall paintings, stone figures and runic inscriptions are also found in the church.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.