Vangen Church was built in 1202 or 1280 depending the reference. It was built by an ancient family who lived in Aurland in the Viking Age and Middle Ages. The church is built in the early Gothic style influenced by English architecture. A document written in 1714 tells us that the English merchants used to stay in Aurland during long periods to buy different articles and they are supposed to have taken part in the building of the church. Most likely they would have been the master builders.
In 1725, the Danish-Norwegian government was experiencing financial problems and King Frederick IV sold the church. The church remained as private property until the late 19th century. Then the municipality bought Vangen church back for 500 kroner.
The pulpit dates back to the 17th century, the two candlesticks on the altar date from 1637. At the last restoration in 1926, the original colors and designs were uncovered. Then the ceiling was taken away and the baldachin over the pulpit was brought back again. A new altarpiece was made. The Norwegian artist Emanuel Vigeland made the stained glass windows (two of the windows in the chancel illustrate the Parable of the Prodigal Son, and the one in the middle is Jesus Christ, the Savior).
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.