Pavlo-Obnorsky Monastery was founded by Pavel of Obnora in 1414. In the 17th century, this was one of the most influential monasteries in Russia. The monastery was abolished in 1924 and reestablished in 1994. As of 2011, it was one of the four acting monasteries in Vologda Oblast.
The monastery was founded by Pavel of Obnora. Pavel was looking for a remote place, and the area in the 15th century was covered by dense forests. The rules of the monastery, established by Pavel, were very strict by Russian standards. The first hegumen of the monastery was Alexios, a disciple of Pavel, and Pavel himself never took any formal role in the monastery. Some of the icons by Dionisius, one of the most famous Russian icon painters, were made in the monastery and have been preserved in the Tretyakov Gallery in Moscow. In 1538, the monastery was destroyed by Tatars. It was rebuilt, and the existing ensemble of the monastery was formed in the 16th-18th centuries. The idea was to build an image of New Jerusalem. To this end, two artificial hills were erected, one with a church and another one with a chapel. The monastery was abolished in 1924. The buildings were used to host a school, an orphanage, and a sanatorium. It was reestablished in 1994 as a metochion of the Spaso-Prilutsky Monastery. In 2003, the Pavlo-Obnorsky Monastery became an independent entity.
The ensemble of the monastery was pretty much neglected after the monastery was abolished in 1926. The restoration works started in 1990s. The ensemble consists of The Assumption Church (1867), The Resurrection Church (1862) and temporary wooden chapels. The Trinity Church, built between 1505 and 1516, has been demolished. The ensemble of the monastery, as well as separate buildings, are protected as cultural monuments of local significance.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.