The church of Panagia is inscribed in the UNESCO World Heritage List, which includes nine other painted Byzantine churches of the Troodos range. According to the dedicatory inscription on the north wall of the Holy Bema, the church was built and decorated with frescoes in 1280, with the donation of Ioannis of Moutoullas and his wife Irene. Both of them are depicted holding a model of the church. It is therefore possible, that the Church of Panagia tou Moutoulla was a private chapel. The church belongs to the well-known architectural type of the single-aisled, steep-pitched timber roof of the Troodos region. The narthex was added at a later stage, after the beginning of the 16th century, and it extends to the west and north sides the church. The timber roof also covers the narthex.
As far as the mural decoration of the church is concerned, it is worth noting that it is the only series of wall-paintings of the thirteenth century (1280) which survive in Cyprus that can be dated with precision. Due to the small size of the church, the iconographic programme was reduced accordingly. It must be noted that the donors are faithful to the orthodox tradition, without ignoring their contemporary world, a fact that becomes obvious when one notices the repertoire. It is in any case a remarkable set of wall paintings.
Both the style and the iconographic programme of the painter are of great interest. His style is a mixture of older 12th century Byzantine characteristics, with elements from his contemporary western art. He also uses elements from the painting developed in the crusader lands of the East, in Cappadocia, Crete and generally in remote Greek lands. Some of these characteristics can also be seen in Apulian hermitages and the Calabrian churches of South Italy. The exterior of the north wall of the church was decorated at the end of the 15th or the beginning of the 16th century with a scene from the Last Judgement.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.