Kvinnherad Church was built around 1250 and restored in 1670 and 1913. It was probably the main church for the region in the Middle Ages, but in 1678 it became a private church for the baron of the Barony Rosendal, and was not parish church again until 1910. The church has a rectangular nave and choir, is little changed since the Middle Ages. All of the Gothic portals and windows are kept, which are relatively rare. The windows are simple and gothic, and the same in the south and the north portal. West Portal is richer decorated and flanked by double small columns. The windows in the chancel to the south and east, with triple bows and rosettes above is stylistically influenced by the “Bergen gothic”. The burial chapel north of the chancel, was built for the 1670s, Rosenkrantz century. In 1913 we built the sacristy door to the burial chamber.
The interior has undergone great changes. By medieval fixtures are preserved only the altar in the church, and two gothic watches. The pulpit in the Renaissance style dates from the first half of the 1600s, and in 1670 the number received roof ceiling with cloud paintings. The altarpiece from 1705 was released by baron Rosenkrantz, and their coat of arms is painted below the picture of the Last Supper and the crucifixion. The pictures are framed by columns and are carved in thin and elegant acanthus leaf pattern.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.