The setting of the Chapel of St.Gildas is one of the most beautiful in the Blavet Valley. On a grassy bank overlooking the river, it nestles under a huge granite outcrop and is the perfect spot for a picnic. The Chapel marks the site where Gildas, an Irish monk, preached Christianity to a local, mainly pagan population during the 6th century. Gildas and his fellow monk Bieuzy, are said to have lived in a cave at the base of the rock where the chapel now stands and to have had miraculous healing powers.
Legend has it that after healing the daughter of a local Count who had been seriously injured by her husband, Gildas was under threat of death and it was no longer safe for him to remain in the area. Bieuzy, however, continued to preach and was renowned for his ability to cure rabies, which was widespread at the time. Bieuzy met an unpleasant demise when he refused to interrupt one of his sermons to cure the rabid dog of a local pagan chief who later returned and attacked Bieuzy with an axe. A rather macabre statue of Bieuzy with an axe lodged in his head can be seen inside the chapel today.
The chapel is also open to the public every afternoon except Monday from mid-July to mid-September as part of the Art in the Chapels programme. Each year the organisers invite artists from all over the world to display their work in one of 26 local chapels, of which Saint Gildas is one. The Chapels make the perfect back drop for the contemporary art on display and offer visitors a wonderful opportunity to explore the architecture of these historic buildings.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.