The Oiselinière estate was, before the French Revolution a 'Seigniory'. It is mentioned as early as 1335 in the charter 'Les Actes'. It spreads over the districts of Gorges and Clisson, and under the feudal system depended on the Seigneurs of Clisson and Pallet. For 643 years, this Seigniory only changed families four times: Maurice le Meigen was the owner, then in 1460 one of this descendants through allegiance, Claude Grézeau took over. His family sold the seigniory of the Oiselinière to Jean Goulet de la Fosse de Nantes in 1613. Louis de la Bourdonnaye acquired the property in 1658. Then in 1767, the seigniory was sold to the ancestors of the Aulanier family (This family made a great contribution in the Second World War, Oselinière being a hotbed of resistance).
The castle is a villa built in Italian style between 1822 and 1835 to enclose a square courtyard dated from the 17th century. The villa, the outbuildings, the orangery and the gallery of 'Les Illustres' are included in the inventory of historical monuments since 1997 and are cited as reference in the inventory 'Clisson or return to Italy.'
To the west of the villa, near the orangery stands a set of architectural interest with six niches on its main facade which are made of circular brick and adorned with busts of famous men. From left to right, we can recognize Olivier de Clisson, Conde, Duquesne, Jean Bart, and Bayard Duguesclin.
The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.