At the western end of Namik Kemal square, you will find the remains of the Venetian governor's palace (Palazzo del Proveditore). When the Venetians took over Cyprus, it was not by force, but as the end result of intrigue perpetrated over many years. In 1468 they arranged a marriage between the Lusignan king James II, and Caterina Cornaro, the 18 year old daughter of one of Venice's most noble families.
The Venetians immediately began converting the city from a French medieval one to an Italian renaissance one. They moved the capital of Cyprus from Nicosia to Famagusta, and around 1550 built the palace we see today on the ruins of a 13th century Lusignan one. The Lusignan palace was used as living accommodation for the kings of Cyprus till 1369, when it was destroyed by earthquakes.
The Venetian palace was largely destroyed by the Ottomans, but what little remains is impressive. The most noticeable part is the three-arched entrance to one side of Namik Kemal Square. It mirrored the triumphal archways of ancient Rome, and they were even able to use genuine Roman columns salvaged from Salamis. The upper part of the gateway imitates the temples of Greece and Rome, while above the central arch can be seen the arms of Giovani Renier, the Italian Governor of Cyprus at the time.
Until recently, the palace was used as a car park. However it has now been paved over and is frequently used as a venue for open air concerts.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.