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Panagia Eleousa church dates to the 16th century, and is two aisled, rather than the three which would be more normal for the style of the time. The aisles end in a pair of cylindrical apses. Outside the church are the remains of the monastery which this church once served.
The two aisles are separated by a double archway, with the northern aisle being much smaller than the southern one. This difference in size can also be noticed from the outside in the different dimensions of the windows at the eastern end. The whole of the western end is a later addition, and the join can be seen both externally and internally.
The main door of the church shows Lusignan influences, which explains the lopsided nature of the church. The French Lusignans were Latin Christians, and while not actually banning Orthodox Christianity, treated it as second class. There are other examples in the Middle East where the ruling classes reluctantly allowed the peasants space to worship in their churches. To remind them of their place, the space allocated to the Orthodox Christians was much smaller than that allocated to the Latin Christians.
Although disused, the church continues to be a place of pilgrimage by Orthodox visitors, and it is unusual to visit and not see a lit candle.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.