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Panagia Eleousa church dates to the 16th century, and is two aisled, rather than the three which would be more normal for the style of the time. The aisles end in a pair of cylindrical apses. Outside the church are the remains of the monastery which this church once served.
The two aisles are separated by a double archway, with the northern aisle being much smaller than the southern one. This difference in size can also be noticed from the outside in the different dimensions of the windows at the eastern end. The whole of the western end is a later addition, and the join can be seen both externally and internally.
The main door of the church shows Lusignan influences, which explains the lopsided nature of the church. The French Lusignans were Latin Christians, and while not actually banning Orthodox Christianity, treated it as second class. There are other examples in the Middle East where the ruling classes reluctantly allowed the peasants space to worship in their churches. To remind them of their place, the space allocated to the Orthodox Christians was much smaller than that allocated to the Latin Christians.
Although disused, the church continues to be a place of pilgrimage by Orthodox visitors, and it is unusual to visit and not see a lit candle.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.