Belarusian National Arts Museum is the largest museum in the country. More than twenty seven thousand works of art – creating twenty miscellaneous collections and comprising two main representative ones: the one of national art and the other of monuments of art of the countries and nations of the world – can be found on exposition, at the branches of the Museum and its depositories.
The Museum’s official history begins on January, 24 in 1939 when under the Resolution of the Council of People's Commissars of Belarus the State Art Gallery has been created in Minsk. At the beginning of 1941 the Belarusian State Art Gallery’s funds and stocks had already numbered nearly 2711 art works out of which four hundred were on exhibition. A long-term work on the description and study of each monument as well as on the creation of the museum collection’s catalogue was to be done. The fate of the whole collection was tragically unfavorable during the first days of the World War II. In a short time it would disappear without even leaving a trace.
After the war merely a small part of the works of art was returned, mainly those which before the War had been at the exhibitions in Russia. In spite of the postwar devastation, when Minsk lay in ruins, the Government of Belarus allocated considerable sums of money for purchasing works of art for the Gallery. It was already in August 1945 when the canvases by Boris Kustodiev, Vasily Polenov, Karl Briullov and Isaak Levitan were obtained.
The construction of the new building of the Belarusian State Art Gallery with the ten spacious halls, occupying two floors and a large gallery, was finished in 1957. In those years the Museum’s collection had already reached the pre-war level and included about three thousand works of Russian, Soviet and Belarusian art.
The period of the 1970s and the early 1980s was a peak of the Museum’s exhibition activity. The collection of the Belarusian modern painting and graphic arts were taken from the Museum’s funds for exhibitions abroad. Since 1993 the Museum has been called the National Art Museum of the Republic of Belarus.
References:Carlsten is a stone fortress built on the orders of King Carl X of Sweden following the Treaty of Roskilde, 1658 to protect the newly acquired province of Bohuslän from hostile attacks. The site of Marstrand was chosen because of its location and its access to an ice free port. Initially a square stone tower was constructed, but by 1680 it was reconstructed and replaced by a round shaped tower. Successive additions to the fortress were carried out, by the inmates sentenced to hard labour, until 1860 when it was reported finished. The fortress was decommissioned as a permanent defense installation in 1882, but remained in military use until the early 1990s.
The fortress was attacked and sieged twice falling into enemy hands. In 1677 it was conquered by Ulrik Frederick Gyldenløve, the Danish military commander in Norway and in 1719 by the Norwegian Vice-Admiral Tordenskjold. At both occasions the fortress was returned to Swedish control through negotiations and treaties.