Panagia Apsinthiotissa or Absinthiotissa is a Greek Orthodox monastery probably established in the 11h or 12th century as a Byzantine imperial foundation and continued to enjoy a degree of prominence in the Lusignan and Venetian periods. Leontios, the abbot in about 1222, was one of the delegates sent to report the plight of the Orthodox Church under Latin jurisdiction to the Patriarch Germanos II in the Empire of Nicaea. Neophytus, Archbishop of Cyprus, was also in Nicaea at the time, having been banished by the Latin authorities for refusing to take an oath of obedience to the Roman Pontiff. Boustronios tells us that the Queen of Cyprus worshipped at the monastery in 1486, the implication being that Panagia Apsinthiotissa was under the Roman Church. He also reports that pilgrimages were made to Apinthi and Antiphonitis on the fifteenth of August by all the people of Kyrenia. After the Ottoman conquest, the monastery became the property of the Orthodox Patriarch of Jerusalem and subordinate to the nearby Monastery of Saint Chrysostom in Koutsoventis.
The main church of the monastery appears to have been built in the 12th century and has a cross-in-square plan of the Byzantine type surmounted by a high dome. The narthex, on the west side, has simple Gothic rib vaulting and probably dates to the 15th century. Writing in 1918, George Jeffery describes the establishment as a ruin.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.