The Zuiderkerk ('southern church') was the city's first church built specifically for Protestant services. It was constructed between 1603 and 1611. The distinctive church tower, which dominates the surrounding area, was not completed until 1614 and contains a carillon of bells built by the brothers Hemony, installed in 1656.
The Zuiderkerk was used for church services until 1929. During the final (1944-1945) winter of World War II it was in use as a temporary morgue because people were dying faster than they could be buried. The church was closed in 1970 because it was at the point of collapse. In the years 1976-1979, the church underwent renovation, and since 1988 it serves as a municipal information centre. The tower has a separate entrance and is also open to the public.
The design of the church in Amsterdam Renaissance style is by Hendrick de Keyser, who was also buried in the church in 1621. A memorial stone was placed on top of his tomb in 1921. De Keyser designed the church as a pseudo-basilica in Gothic style, with a central nave and two lower side aisles, six bays long, with Tuscan columns, timber barrel vaults and dormers. The stained glass in the rectangular windows was replaced by transparent glass in the 17th century. The richly detailed tower is a square stone substructure, on which an octagonal sandstone section stands with free-standing columns on the corners. On top of this is a wooden, lead-covered spire.
French Impressionist painter Claude Monet painted the church during a visit to the Netherlands. The painting now hangs in the Philadelphia Museum of Art. Three of Rembrandt's children were buried in the Zuiderkerk, which is very near to Rembrandt's house in the Jodenbreestraat. Ferdinand Bol, one of Rembrandt's most famous pupils, was buried in the Zuiderkerk in 1680.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.