Built during the Golden Age of the 17th century, Amsterdam’s Canal Ring, known locally as the Grachtengordel, is comprised of a network of intersecting waterways. These were developed through the drainage and reclamation of land for new development. Yet what was initially a practical feature, allowing the city to grow beyond its fortified boundaries, subsequently evolved into the area’s characteristic gabled canal-side estates and spectacular monuments thanks to financial enrichment from the booming maritime trade. The most famous trademarks of this new canal belt became the concentric loop of the Prinsengracht, Keizersgracht, Herengracht and Singel canals.
Since 1999, the city’s distinctive canal landscape has officially been protected, and in 2010 the Amsterdam Canal Ring was added to UNESCO’s World Heritage List. In 2013, the Canal Ring also celebrated its 400th birthday.
Amsterdam’s maritime success in the Golden Age not only led to urban expansion, but a boom in trade and architectural development. This was marked by the building of the city’s remarkable canal-side estates in the 17th and 18th centuries – most of which are still standing today. Even if you aren’t lucky enough to call one of these monuments your home, there are plenty of ways to experience life by the water in both museumsand special events in and around the canals.
Located inside an actual canal house, Het Grachtenhuis (Museum of the Canals) is a great way to learn more about the Canal Ring and its development over the centuries, with its multimedia exhibits bringing history to life. And for those looking to experience the present as well as learn about the past, events such as Open Garden Days and Amsterdam Heritage Days allow canal houses and city centre monuments to open their doors to the public.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.