The English Reformed Church is one of the oldest buildings in Amsterdam. It is home to an English-speaking congregation which is affiliated to the Church of Scotland and to the Protestant Church in the Netherlands. The Begijnhof, an enclosed courtyard, was a 14th-century residence for the sisterhood of the Catholic Beguines, and the church was originally established as their chapel. It was confiscated from the Catholic lay sisterhood during the Reformation. For this reason, the church is invisible from the street and can only be discovered by entering the courtyard through an inconspicuous archway.
As with other city churches, the keys of the chapel were surrendered to the Municipality when Amsterdam sided officially with the Prince of Orange and formally adopted Calvinist doctrines in 1578. The church, controlled by the Beguines, was taken by the city council and closed. In 1607, the church was re-opened for worship when the Municipality presented it to the English-speaking Protestants living in the city. Since then, services in English have continued practically without interruption to the present day.
Since the late 1970s, the church has provided Amsterdam with an important platform for the performance of chamber music of all periods and styles with over 70 concerts a year. In particular, it has given many young artists the opportunity to launch their careers. The Academy of the Begijnhof, founded by a former church organist, is now one of Amsterdam's premier baroque orchestras.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.