The Menkemaborg was originally brick-built castle house built in the 14th century. It was dramatically altered around 1700 but has since been barely changed. The Alberda family, the 18th-century occupants, commissioned artists to decorate the interior with impressive chimney-pieces carved with baroque ornaments, and paintings of mythological scenes. A four-poster bed, draped with yellow silk damask from China, has also been preserved.
The rooms, which comprise reception rooms, the gentlemen's room, a study, dining room, bedroom, kitchen and cellars, are fully furnished with furniture, silverware, china, brassware and portrait paintings from the 17th and 18th centuries.
The gardens were reconstructed after the surviving garden design dating from around 1705, and are marked by a clear layout with symmetrical patterns of clipped box enclosing beds of 18th-century flowering and ornamental plants. A particularly pretty part is the walled pleasure garden in front of the pavilion, with its trellissed arches and arbours. The natural 'sundial garden' is special too. To the east of the mansion is the utility area with a kitchen garden where vegetables and potherbs are grown and an orchard with ancient strains of apple trees and a pear-tree pergola. At the heart of the maze you will eventually find an old plane tree. In summer, the flowering rose tunnel is not to be missed!
The complex of the mansion and gardens, surrounded by their tree-shaded moat, offers a vivid impression of how the Groningen aristocracy lived in the 17th and 18th centuries.
The Menkemaborg was owned privately until 1902. The last heirs donated it in 1921 to the Groninger Museum, which restored it in 1927 and opened it to the public. In 1969 the 'Stichting Museum Menkemaborg' was founded that manages the museum and grounds. The largest part of the collection in the Menkemaborg belongs to the Groninger Museum. Most of these came from deconstructed 'borgs', because the province of Groningen once had 200 borgs, and only 16 survive.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.