The mendicant order of Augustinian hermits had a monastery in the Augustinerstrasse from 1260 until 1802. The one-aisled church was newly constructed, together with the monastery, from 1768 to 1772. The Diocesan Priests’ Seminary has been located here since 1805. The ornamentation of the church is so rich because patrons generously supported the work: The Elector did not want a “peasants’ church” in his residence city. The façade shows the vivid forms of Main-Franconian baroque and a Coronation of the Virgin by the Mainz sculptor Nikolaus Binterim. In the interior, the painter Johann Baptist Enderle from Donauwörth glorified the life of the Father of the Church, Augustine, in large, bright ceiling frescos. Johann Heinrich Stumm built the divided organ with the centre window in1773; it is one of the few surviving instruments of this dynasty of organ builders.
A lime wood sculpture from 1420 smiles out of a niche between the south side altars: Mary with the Child Jesus playing – an unusual work of Gothic art in its brightness which is assigned to the “soft style”. The highly venerated miraculous image was rescued from the burning Church of Our Lady in 1793. In the high altar is an iconographic rarity: At the death of Christ, God the Father lets “Mankind’s certificate of debt” be torn up by a putto.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.