Between 1779 and 1783, the Dean of Trier Cathedral, Philipp Franz Count of Walderdorff had a summer residence built on the west bank of the Moselle in the style of early French neo-classicism. The architect engaged was the French master builder François Ignace Mangin. Situated directly on the bank of the Moselle, the residence faces northeast and thus lies in the direct line of sight to Trier. The name Monaise means 'my leisure', pointing to the original function of the palace as a summer residence.
The structure belongs to the few examples of early French neo-classicism in Germany. The style developed in France during the reign of King Louis XVI and is therefore called Louis Seize Style. The height of the structure is remarkable in comparison to the small surface area at ground level, only 10x20 m. The main façade is characterised by a tri-part central projection with four Ionic columns in the upper storeys, with balcony behind. Crowning the central projection is a coat of arms held by two lions rampant. The motto underneath, 'OTIUM CUM DIGNITATE', means more or less 'Enjoy leisure with dignity'. The palace is surrounded by a sandstone balustrade and four small corner pavilions.
When the owner, Count of Walderdorff, became Prince Bishop of Speyer in 1791, he sold the palace to Eleonore of Blochhausen, the widow of a court legal advisor in Luxembourg. Later, it fell into the hands of various owners. Beginning in 1920, it belonged to the United Hospitals and, in 1969, it was bought by the city. As the palace had not been used for a long time, its condition continued to deteriorate, although shoring-up measures were conducted again and again. Numerous attempts to save the building always failed in the end because of lack of finances. The restoration of Monaise get underway in 1992 and was finished in 1997.
Monaise houses nowadays , among other things, a top-quality restaurant.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.