Petrusse Casemates origin goes back to 1644, when the Spaniards reinforced the medieval fortifications. Under the supervision of the Swiss fortress builder Isaac von Treybach, they built - among other defence works-the powerful Beck Bastion, named after Governor Baron Johann von Beck, a native of the city who had played a key role in the Wallenstein affair on the side of the Emperor. Initially this bastion was as high as the adjacent terraces on the right; it was raised to the present level of Constitution Square (the wall is 27 meters high) by Vauban in 1685.
In 1673 the Spaniards erected the so-called 'Ravelin du Pate' to strengthen the defence of the Beck Bastion; this triangular construction is one of the few well-kept fortifications. Marshall de Vauban conferred the present shape to all the Petrusse fortifications and built the 'Small Staircase'. From 1728-29 the Austrians added the 'Bourbon Lock' and the 'Large Staircase' and in 1746 the casemates of the 'Petrusse Battery' (54 gun emplacements).
One century passed and the fortress was enlarged and reinforced: the second ring was extended and the third started, so that Luxembourg became the 'Gibraltar of the North'. By and by, the Petrusse fortifications fell into oblivion and neglect, as their strategic momentum limited itself to the valley. After the dismantling, stipulated by the 1867 London Treaty, they confined themselves to walling up the loopholes and most entrances. In 1933 the Petrusse casemates were opened to the public.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.