Interesting Sites Nearby
User Reviews
The chapel of St Marcus is an important pilgrimage site, especially at the occasion of celebration of its holy protector (April 25 th). The precious sanctuary regularly houses classical music concerts. Since 1627 a hermit lived in the neighbouring hermitage. He was in charge of the security of the place. The actual form of the chapel dates back to the 16th century. The sanctuary presents tow naves separated by a colonnade. The choir is divided into three axis. A roofed entrance hall may be distinguished at the western side. 1757 a second entrance was broken into the northern wall.
The geometrical paintings date back to the 16th century. A baroque altar dominates the choir. On the left side the visitor discovers a modern representation of the Virgin, whereas on the right side, he will be impressed by a cross dating back to the early 1600. The cross-stations were realized in the 19th century. The modern art windows had been concieved in 1989 by Emile Probst, an artist born in Vianden and living in Brussels, and who was a member of the lobbying group for abstract art 'Iconomaques'.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.