Les Bourgeois de Calais is one of the most famous sculptures by Auguste Rodin, completed in 1889. It serves as a monument to an occurrence in 1347 during the Hundred Years' War, when Calais, an important French port on the English Channel, was under siege by the English for over a year. Calais commissioned Rodin to create the sculpture in 1884.
The City of Calais had attempted to erect a statue of Eustache de Saint Pierre, eldest of the burghers, since 1845. Two prior artists were prevented from executing the sculpture: the first, David d'Angers, by his death and the second, Auguste Clésinger, by the Franco-Prussian War. In 1884 the municipal corporation of the city invited several artists, Rodin amongst them, to submit proposals for the project.
Rodin's design was controversial. The public had a lack of appreciation for it because it didn't have 'overtly heroic antique references' which were considered integral to public sculpture. It was not a pyramidal arrangement and contained no allegorical figures. It was intended to be placed at ground level, rather than on a pedestal. The burghers were not presented in a positive image of glory; instead, they display 'pain, anguish and fatalism'. To Rodin, this was nevertheless heroic, the heroism of self-sacrifice.
In 1895 the monument was installed in Calais on a large pedestal in front of a Parc Richelieu, a public park, contrary to the sculptor's wishes, who wanted contemporary townsfolk to 'almost bump into' the figures and feel solidarity with them. Only later was his vision realised, as in 1926 the sculpture was moved in front of the newly completed town hall of Calais, where it rests on a much lower base.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.