The Grote (Great) or Maria Magdalenakerk is a late-Gothic cruciform basilica replaced an earlier church built in the 12th century which probably stood at the location of the nave of the current church. In the 15th century, when Goes transformed from a village into a town, the church was extended to the east. Between 1455 and 1470 the choir was rebuilt. Originally a hall-choir seems to have been intended, consisting of three equally high and wide aisles. Instead a basilican choir was built, but with three almost equal apses closing each of the three aisles. The transept was completed in 1506.
In 1618 a fire destroyed much of the church. The nave was rebuilt in Gothic style between 1619 and 1621. This choice of style is a bit remarkable considering the fact that the church had been in protestant hands since 1578. An architect from Antwerpen, Marcus Antonius, designed the new five-aisled nave, resulting in a church in Brabantine Gothic style. Natural stone was used for the clerestorey while a combination of brick and natural stone was used for the side-aisles and facade. As traces in the western walls of the transept seem to show, the previous nave had probably been wider than the current one. In 1620 a steeple was placed on the crossing.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.