Rolduc is the name of a medieval abbey in Kerkrade, which is now a Roman Catholic seminary and an affiliated conferencing center. In 1104, a young priest by the name of Ailbertus of Antoing founded an Augustinian abbey in the Land of Rode, near the river Wurm. The abbey was called Kloosterrade, which later became 's-Hertogenrade, after the ducal castle that was built across the Wurm. Ailbertus died in 1111 and his bones were later interred in the crypt. In 1136 the land of Rode, including the abbey, fell into the hands of the Duchy of Limburg. Kloosterrade was considered to be their family church. Several dukes of Limburg are buried at Rolduc, such as Walram III, whose cenotaph can be found in the nave of the church. During the 12th century and 13th century the abbey flourished. Several other communities were founded by Kloosterrade. In 1250 the abbey owned more than 3,000 hectares of land.
During the 14th, 15th and 16th centuries times were harder for the abbey in both spiritual and material terms. The buildings were heavily damaged during the Eighty Years War. Materialistically, the abbey began to prosper again in the late 17th century when revenue was generated from the exploitation of coal mines. In around 1775, Rolduc employed 350 mineworkers.
The abbey was dissolved by the French in 1796 and the buildings stood empty for 35 years. In 1815, when the Kingdom of the Netherlands was formed (see Vienna Congress), the border was drawn through the ancient land of Rode, separating the abbey from the castle. The eastern part (including the castle) became Prussian Herzogenrath and the western part (including the abbey) became part of the Dutch municipality of Kerkrade.
In the 19th century Rolduc became a famous boarding school run by Jesuits, and a seminary of the Diocese of Roermond. Many influential Dutch Roman Catholics were educated at Rolduc.
The 12th century abbey church is an example of Mosan art. The crypt and the choir and chancel above have a cloverleaf pattern. The interior of both the church and the crypt contains richly carved capitals. Remarkable is the fact that the columns in the crypt all have a different design. In 1853, the young architect Pierre Cuypers was commissioned to restore the crypt and to reinstate as much as possible the original Romanesque fabric.
The cloisters are largely 18th century. The abbey has a richly decorated Rococo library with an important collection of books. During the Middle Ages, the Rolduc library was one of the most famous libraries in the Meuse region. The history of the abbey was recorded in the so-called Annales Rodenses, a chronicle about the years between 1104-1157.
The interior painting above the altar is by the Nazarene movement painter Matthias Goebbels.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.