Kamp Schoorl was the first concentration camp in the Netherlands, established in 1940 soon after the German troops were occupied Netherlands. Among the prisoners were also people from England, Belgium and France. After a few months the French and the Belgian were released. The English prisoners were transferred to a German camp Gleiwitz in September 1940.
The first Jews, captured in 22th and 23th February 1941 in Amsterdam, were transferred in an army truck to the camp. The group of 425 people only stayed for 4 days after which they are transferred to concentration camp Buchenwald where they again are transferred in June 1941 to concentration camp Mauthausen. Only two of this group survived the war.
For about 1,900 people was the camp their first camp before being transferred to other camps. More than 1,000 of them never returned, mainly Jews and political prisoners. The regime in the camp was mild compared to the other Dutch camps. There was not heavy labour and there was enough food.
The camp was closed by the Germans because the camp was too small and located between the dunes. It was not easy to enlarge it. In October 1941 the camp was closed. Some of the prisonars were released, but most of the prisoners were transferred to Kamp Amersfoort. 25 women were directly transported to concentration camp Ravensbrück. Until the end of the war, militia of the Wehrmacht and the Organisation Todt used the camp as a base.
After the war the camp was used to imprison NSB members and was finally demolished in 1950.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.