Tórshavn Cathedral is the second oldest existing church of the Faroe Islands. Painted white, and roofed with slate, it was erected in 1788. Since 1990 it has been the seat of the bishop of the Faroes and is therefore known as a cathedral.
The early history of the church is quite complicated. To all appearances there was no church in the strict sense in Tórshavn in the Middle Ages, only perhaps a 'prayer house'. It has been suggested that services were held in the Munkastovan in Tinganes. It was only in 1609, that a proper church was built on Tinganes. In 1780 Rasmus Jørgen Winther became minister in Tórshavn and in 1782 seized the initiative to build a new church. However it was only in 1788 that Johannes Poulsen, to the building master in Torshavn. The church of Christian IV was demolished in 1798 following the consecration of the new church, and the timber was sold at an auction. Part of the furniture was transferred to the new church.
Though it completely changed the appearance of the church, the rebuilding in 1865 seems in fact to have only marginally affected the structural parts of the 1788 church. The church has on the whole preserved its structure from 1865. In 1935, however, the choir was extended by four metres and a new sacristy was built. The choir was also extended with an office and other secondary rooms in 1968. The nave itself contains 44 benches, the gallery 14.
The altarpiece from 1647 is fitted on the north wall of the nave, with a painting of the Last Supper and the words of institution. It is a rather simple piece of work from the late Renaissance with a central section flanked by degenerated pilasters, pedestal section and a small top section. The painting of the central section, the Last Supper, belongs to the large group of Danish 17th-century paintings derived from the painting of the Last Supper by Peter Candid – the Court painter to Wilhelm V – for the Franciscan house in Munich and popularised through prints by Sandeler. It was restored in 1961 by Ernst and Holmer Trier together with the local painter Fraser Eysturoy.
The bell is said to have been acquired in 1708. It originates from the ship 'Norske Löve' (Norwegian Lion), which went down in Lambavík on New Year's Eve, 1707.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.