The Musée Rodin was opened in 1919 and is dedicated to the works of the French sculptor Auguste Rodin. It has two sites, at the Hôtel Biron and surrounding grounds in central Paris, and just outside Paris at Rodin's old home, the Villa des Brillants at Meudon (Hauts-de-Seine). The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs and 7,000 objets d’art. The museum receives 700,000 visitors annually.
While living in the Villa des Brillants Rodin used the Hôtel Biron as his workshop from 1908, and subsequently donated his entire collection of sculptures (along with paintings by Vincent van Gogh and Pierre-Auguste Renoir that he had acquired) to the French State on the condition that they turn the buildings into a museum dedicated to his works.
The Musée Rodin contains most of Rodin's significant creations, including The Thinker, The Kiss and The Gates of Hell. Many of his sculptures are displayed in the museum's extensive garden. The museum is one of the most accessible museums in Paris. It is located near a Metro stop, Varenne, in a central neighborhood and the entrance fee is very reasonable. The gardens around the museum building contain many of the famous sculptures in natural settings. Behind the museum building is a small lake and casual restaurant.
The museum has also a room dedicated to works of Camille Claudel. Some paintings by Monet, Renoir and Van Gogh which were in Rodin's personal collections are also presented. The Musée Rodin collections are very diverse, as Rodin used to collect besides being an artist.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.