The Catherine Palace is a Neoclassical residence of Catherine II of Russia on the bank of the Yauza River. It should not be confused with the much more famous Catherine Palace in Tsarskoye Selo.
The residence is also known as the Golovin Palace, after its first owner, Count Fyodor Golovin, the first Chancellor of the Russian Empire. After his death Empress Anna commissioned Francesco Bartolomeo Rastrelli to replace the Golovin Palace with a Baroque residence known as Annenhof. This was Anna's preferred residence. It consisted of two wooden two-storey buildings, the Summer Palace and the Winter Palace.
Annenhof was abandoned after a fire in 1746. Catherine II, who found both edifices rather old-fashioned and dilapidated, ordered their demolition in the 1760s. After 1773 Karl Blank, Giacomo Quarenghi and Francesco Camporesi were the architects employed to supervise the construction of a Neoclassical residence in Lefortovo. Emperor Paul, known for his dislike of his mother's palaces, converted the residence into barracks.
After Napoleon's occupation of Moscow in 1812 the Catherine Palace was restored under the supervision of Osip Bove. It has since been occupied by the Moscow Cadet Corps, Malinovsky Tank Academy and other military institutions and has generally been inaccessible to the public at large. In October 1917 the Moscow cadets mounted a fierce resistance against the Bolsheviks in Lefortovo. What little remained of the Annenhof Park was largely destroyed by the 1904 Moscow tornado.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.