Holstentor (Holsten Gate) is the most well-know symbol of Lübeck. The city gate was built between 1464 and 1478 along the lines of Dutch models. Its purpose served both as a form of defence and as a form of prestige. Above the round-arched gateway entrance of the twin-towered construction, the inscription CONCORDIA DOMI FORIS PAX (unity at home, peace abroad) can clearly be seen in golden letters.
Nearly every visitor is astonished by its odd leaning angle and its sunken south tower. But, during the 15th century people weren"t quite as knowledgeable on 'foundation work' as they are today. As only the towers are standing on a 'gridiron' with the heavy middle tract resting upon them, the towers unevenly subsided into the marshy ground.
In 1863, the Gate looked an appalling sight. With a majority of just one single vote, the city parliament decided to restore the gate and began extensive restoration efforts. It wasn"t until 70 years later that the subsidence could be stopped. Most recent renovations were carried out between 2004 and 2006. Here, the slate roof, terracotta frieze and parts of the brickwork were replaced. Inside the gate historic ship models, suits of armour, weapons, legal instruments and merchandise give a brief glimpse into the time of the Hanseatic League. Two majestic lions stand guarding the city in front of the Holsten Gate.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.