St. Mary's Church is the third largest church in Germany. It was built between 1250 and 1350 and has always been a symbol of the power and prosperity of the old Hanseatic city, and is situated at the highest point of the island that forms the old town of Lübeck. It is part of the UNESCO World Heritage Site of the old Hanseatic City of Lübeck.
St. Mary"s epitomizes north German Brick Gothic and set the standard for about 70 other churches in the Baltic region, making it a building of enormous architectural significance. St Mary"s Church embodied the towering style of French Gothic architecture style using north German brick. It has the tallest brick vault in the world, the height of the central nave being 38.5 metres.
It is built as a three-aisled basilica with side chapels, an ambulatory with radiating chapels, and vestibules like the arms of a transept. The westwork has a monumental two-tower façade. The height of the towers, including the weather vanes, is 124.95 metres and 124.75 metres, respectively.
Numerous works of arts are to be found in St. Mary"s interior: The Cross of Triumph by Gerhard Marcks in the high choir above the Swarte Altar from 1495 is as much at home here as the largest mechanical organ in the world. The well-known church musician and composer Dietrich Buxtehude was St. Mary"s organist and work master from 1667 to 1707.
The commemorative chapel in the south tower with its church bells possesses a unique expressive power. The bells plunged to the stone floor during the 1942 air raids. The Gothic brick basilica has a medieval painting, the largest peel of bells in Schleswig-Holstein and a carillon with 36 bells from St. Catherine"s Church in Danzig.
The two danse macabre windows take the motif and figures from the frieze of the Lübeck danse macabre burned in 1942.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.