The Hungarian National Gallery was established in 1957 as the national art museum and is located in Buda Castle. Its collections cover Hungarian art in all genres, including the works of many nineteenth- and twentieth-century Hungarian artists who worked in Paris and other locations in the West. The primary museum for international art in Budapest is the Museum of Fine Arts.
The National Gallery houses Medieval, Renaissance, Gothic art, Baroque and Renaissance Hungarian art. The collection includes wood altars from the 15th century.
The museum displays a number of works from Hungarian sculptors such as Károly Alexy, Maurice Ascalon, Miklós Borsos, Gyula Donáth, János Fadrusz, Béni Ferenczy, István Ferenczy and Miklós Izsó. It also exhibits paintings and photographs by major Hungarian artists such as Brassai and Ervin Marton, part of the circle who worked in Paris before World War II. The gallery displays the work of artists such as Mihály Munkácsy and László Paál. The museum also holds paintings by Karoly Marko, Josef Borsos, Miklos Barabas, Bertelan Szekely, Karoly Lotz, Pál Szinyei Merse, Istvan Csok, Bela Ivanyi Grunwald, Tivadar Kosztka Csontváry (Ruins of Ancient Theatre, Taormina), József Rippl-Rónai (Models), and Károly Ferenczy.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.