The Hungarian National Gallery was established in 1957 as the national art museum and is located in Buda Castle. Its collections cover Hungarian art in all genres, including the works of many nineteenth- and twentieth-century Hungarian artists who worked in Paris and other locations in the West. The primary museum for international art in Budapest is the Museum of Fine Arts.
The National Gallery houses Medieval, Renaissance, Gothic art, Baroque and Renaissance Hungarian art. The collection includes wood altars from the 15th century.
The museum displays a number of works from Hungarian sculptors such as Károly Alexy, Maurice Ascalon, Miklós Borsos, Gyula Donáth, János Fadrusz, Béni Ferenczy, István Ferenczy and Miklós Izsó. It also exhibits paintings and photographs by major Hungarian artists such as Brassai and Ervin Marton, part of the circle who worked in Paris before World War II. The gallery displays the work of artists such as Mihály Munkácsy and László Paál. The museum also holds paintings by Karoly Marko, Josef Borsos, Miklos Barabas, Bertelan Szekely, Karoly Lotz, Pál Szinyei Merse, Istvan Csok, Bela Ivanyi Grunwald, Tivadar Kosztka Csontváry (Ruins of Ancient Theatre, Taormina), József Rippl-Rónai (Models), and Károly Ferenczy.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.