Kerepesi Cemetery is the most famous cemetery in Budapest. Founded in 1847, it is one of the oldest cemeteries in Hungary which has been almost completely preserved as an entity.
The cemetery's first burial took place some two years after its opening, in 1849. Since then numerous Hungarian notables (statesmen, writers, sculptors, architects, artists, composers, scientists, actors and actresses etc.) have been interred there, several of them in ornate tombs or mausoleums. This was encouraged by the decision of the municipal authorities to declare Kerepesi a 'ground of honour' in 1885. The first notable burial was that of Mihály Vörösmarty in 1855.
Until the 1940s, several tombs were removed to this cemetery from others in Budapest – for example, it is the fourth resting place of the poet Attila József.
The cemetery was declared closed for burials in 1952. This was partly because it had become damaged during World War II, and partly for political reasons, as the Communist government sought to play down the graves of those who had 'exploited the working class'. At one point it was intended to build a housing estate over the cemetery. Part of the grounds were in fact handed over to a nearby rubber factory and were destroyed in 1953.
In 1958, a Mausoleum for the Labour movement was created. During the Communist period (which lasted from 1948 till 1989 in Hungary) this was the only part of the cemetery highlighted or even mentioned by the authorities. After the fall of communism, Kerepesi was still considered by some as a Communist cemetery (for example a son of Béla Bartók forbade his father's ashes to be interred there).
The Salgotarjani Street Jewish Cemetery is actually the eastern corner of the Kerepesi Cemetery, but it is separated from it by a stone wall.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.