The Festetics Family is one of the most significant ducal families in Hungary. The family, who was of Croatian origin, moved to Hungary in the 17th century. In 1739 Christopher Festetics (1696-1768) bought the Keszthely estate and its appurtenances, and chose it to be the centre of his estates. He began the construction of the Festetics Palacein 1745. The two-storey, U-shaped, 34-room Baroque palace was rebuilt several times in the 18th and 19th centuries. Between 1769 and 1770 Paul Festetics III, Christopher’s son had the building reconstructed. The wings were enlarged while the facades remained unaltered. His son, George Festetics I, started the next major reconstruction in 1792. He added the southern library wing to the palace.
Between 1883 and 1887 Tassilo Festetics II had the northern wing demolished and a new wing built which was joined to the old one by a turreted central part. Thus, he almost doubled the size of the palace. The building was covered with a mansard roof, and fitted with central heating and plumbing. After the modification of the facades and the interiors, especially the staircases, the palace acquired its present form.
The building is surrounded by a nature reserve park. The sights in the park include trees that are hundreds of years old, colourful flowerbeds, fountains, statues – among them the full-figure bronze statue of George Festetics I –, the garden pond and the fountain decorated with lions. The palm house and the former coach house with the coach exhibition can be found in the park, while the new building of the hunting exhibition and the historical model railway exhibition is opposite the back gate of the park.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.