From the construction to its surrender for the Turks, Gyula Fortress can be linked significantly with the royal court either by relation right or by the way that the King himself or a member of royal family was the proprietor of the big manor. All this is worth of emphasizing since Buda and Vajdahunyad are the nearest two castles unequivocally having this kind of royal position.
The first factual mention of the fortress building is from 1445, although János Maróti began with its construction already in 1405. His life passed in uninterrupted fighting against the Turks, therefore the leader and terminator of the works in Gyula could be his son, László Maróti. In 1476, the fortress and the huge manor reverted to the crown. In 1482 King Matthias gave the territory to his son, János Corvinus, who made his mark on the fortress – in addition to other building operations – by erecting the present Corvin-bastion. From strategic point of view, the fortress advanced in fact after the Mohács Disaster. The adherents of János Szapolyai succeeded to seize it, and then for a short while it was in the hands of noblemen of Transylvanian interestedness. However, in 1552 it got again into king’s ownership in consequence of to an exchange. In the meanwhile, the Ottomans engaged in the destruction of the surroundings. Then they built palisades not far off from the fortress herewith hindering the food supply for the defenders. In summer of 1566, Pertaf pasha, nephew of Suleiman II (Suleiman the Magnificent) finally laid siege to the fortress. After a nine-week siege, they subscribed the fortress’ capitulation agreement, thus the town fell into the Turks’ hands. With the onset of a relative peace, the life of the city began to develop slowly, and then in 1695 the Christian troops reoccupied the territory. Thereafter the estate’s ancillary units were placed in the castle.
The renovation of the fortress was started in the beginning of the 1960s. The Castle Theatre has operated within the walls since 1960, and the old permanent exhibition was opened also at this time. Following a long-standing renovation, the new Renaissance Castle Museum was finished in 2005, in which the visitors can go through the history of six centuries in 24 exhibition rooms.
Gyula Fortress being the only flatland, Gothic brick-masonry fortress of Central-Europe remained intact stands at the persons’ service showing an interest, with 24 exhibition rooms.
Within the restored castle, downstairs there are the dungeon (open to the public out of Castle Theatre’s season), the chapel, the tavern and the ancillary rooms such as a dispensary, a bake-house, a smithy and a pottery. Upstairs there are various suits (of the lord and of the lady), the halberdier hall, the Sanjak bey’s reception room, the armoury and the knights’ hall.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.