The Savoy Castle is an 18th-century Baroque style palace. Construction of the spacious home was begun in 1702 at the commissioning of Prince Eugene of Savoy and finished in approximately 1722. Prince Eugene of Savoy acquired Csepel Island in 1698, and thereafter began the planning process of this 'maison de plaisance'.
Eugene commissioned Johann Lucas von Hildebrandt, a student of the Roman Carlo Fontana, to design the castle. Seven letters from Hildebrandt to the prince remain in the archives of the Gonzaga family in Mantua and evidence planning and construction information about the castle.
The castle has side-wings which were completed in 1714, and the whole construction process was finished around 1720 to 1722. The prince did not reside in Ráckeve mansion after it was finished, and following his death, the estate was appropriated by the Crown.
Under the reign of Maria Theresia of Austria, the mansion and the adjoining land in Csepel was managed by the Hungarian Chancery. In 1814, the middle part of the mansion, along with the stately Baroque cupola, was destroyed by fire; what is seen today was rebuilt after the fire.
Until its reconstruction in the 1980s, the mansion suffered constant decline. The castle has enjoyed renovation and revitalization, and it is now used as a hotel, which is called the Savoyai Mansion Hotel.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.