Pipo Castle in Ozora is a unique piece of Italian Renaissance in a small Hungarian village. The castle was built for Filippo Scolari, otherwise known as Pipo of Ozora, who came to Hungary as a merchant’s clerk/assistant when he was 13 years old and rose to become a renowned economist, a brilliant soldier and a distinguished diplomat at the 15th century court of King Sigismund.
The castle contains important Renaissance furniture, fabrics and travelling trunks. Its courtyard features a fountain that is topped with a copy of a Verrocchio putto, while one of the walls boasts a reproduction of a Michelangelo relief. A relic of St George is to be found treasured in the chapel. The reconstructed Renaissance kitchen provides a fascinating glimpse into the world of medieval Hungarian kitchens, of victuallers, cooks and servants. The armoury houses a splendid display of replica weapons from the Sigismund period. Outstanding copies of works by the great masters of the Italian Renaissance, Verrocchio, Donatello and Michelangelo, are to be found in the knights’ hall. The castle is also home to a richly documented exhibition on the life of Illyés Gyula, a famous 20th century Hungarian poet and novelist.
Visitors to the castle can get an insight into the life of the 14–15th centuries. There is also possible to stay in a historic apartment as a special guest.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.