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King St. Stephen established a bishopric of Pécs in 1009. The origins of the Bishop's Palace reach back to the 12th century. First it was inhabited by the French Bishop Bonipert and later on by the Hungarian Bishop Mor. Just like the cathedral, the palace is a piece of stylistic history. The Gothic windows and Roman layout are hidden by the Neo-Renaissance facade. Preserved in the smokery is the wooden tobacco-pipe of the priest of Ibafa. Exhibitions about the lives of Bishops and of the interiors of the Bishop’s Palace will soon be open to the general public. The inner garden and the secret, underground hallway connecting the garden with the Bishop’s Cellar will be open to visitors as well.
On the eastern side of the Cathedral we can find the Classicist, late Baroque building of the Capitular Archives and the Parish, built during the time of Bishop Klimo. It was built based on the plans of the famous architect Sartory. Besides prebendary rooms it contains capitular archives, precious document of the cathedral archives, a drawings collection and the parish heritage records. The forged gate of the Bishop’s Crypt, built under the Archives in 1747, is an elaborate piece of art. The neighboring Dom lapidary is one of the most important statue collections of the art of Medieval Hungary: the original Roman-age sculptures, sculpture fragments and reliefs decorated with biblical scenes are all kept here.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.