Construction of the Melsztyn Castle was initiated in 1340, by the castellan of Kraków, Spicymir. In 1362, Bishop Bodzanta blessed the Holy Spirit chapel at the castle. The complex for 200 years remained in the hands of the powerful noble family of Leliwita Melsztyński, which in the late 14th century built a Gothic keep, located in the western wing of the castle. In the 15th century, Melsztyn was one of centers of Polish Hussite movement, and in 1511, Jan Melsztyński sold it to the castellan of Wiślica, Mikołaj Jordan of Myślenice. In ca. 1546, Spytek Jordan ordered remodeling of the Gothic complex, turning it into a Renaissance residence. After the marriages of his two daughters, Melsztyn became the property of the Tarło family, and in 1744, it came into the hands of the Lanckoroński family.
Melsztyn Castle was destroyed by the Russians in 1771, during the Bar Confederation, and has been a ruin since then. In 1789–1796, parts of the complex were pulled down, in order to gain building materials for a church at Domosławice. In the following years, the complex was neglected, which resulted in collapse of the keep (1846). In 1879-85, due to the efforts of Karol Lanckoroński, the castle gained the status of a permanent, protected ruin. Since 2008, it belongs to the gmina of Zakliczyn. The castle has been presented in paintings of Jan Matejko, Napoleon Orda, and Maciej Bogusz Steczyński.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.