The Warsaw Uprising Museum is dedicated to the Warsaw Uprising of 1944. The institution of the Museum was established in 1983, but no construction work took place for many years, and the museum finally opened on July 31, 2004, marking the 60th anniversary of the Uprising.
The Museum sponsors research into the history of the Uprising, and the history and possessions of the Polish Underground State. It collects and maintains hundreds of artifacts, ranging from weapons used by the insurgents to love letters, in order to present a full picture of the people involved. The Museum's stated goals include the creation of an archive of historical information on the Uprising and the recording of the stories and memories of the still living Uprising participants. Its director is Jan Ołdakowski, with historian Dariusz Gawin from the Polish Academy of Sciences as his deputy.
The museum covers all aspects of the Warsaw Uprising. There are many exhibits over several floors, containing photographs, audio and video, interactive displays, artifacts, written accounts and other testimonies of how life was during the German occupation of Warsaw, the uprising and its aftermath. There are displays dedicated to each district of Warsaw and many informative leaflets and flyers which visitors can take away for free, including 63 calendar pages covering the dates from 1st August 1944 to 2nd October 1944 - each containing a summary of the most important events that took place on that particular day of the uprising.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.