Beuron Archabbey is a major house of the Benedictine Order. It was founded in 1863 by the brothers Maurus and Placidus Wolter, in buildings which until 1802 had housed an Augustinian monastery. Between 1875 and 1887 because of political conditions during the 'Kulturkampf' the monks had to leave the abbey, but used the opportunity to found new communities elsewhere, which afterwards joined together under the leadership of Beuron as the Beuronese Congregation within the Benedictine Confederation.
In the late 19th and early 20th centuries the Beuron Art School, with its emphasis on early Christian and Byzantine art, was influential on religious art of the period. One of the biggest exhibits of this type of art in the United States is at Conception Abbey in Missouri which was founded on principles established by Beuron.
The abbey continues to be a centre of study. The library is the largest monastic library in Germany, with over 400,000 books. Since 1884 the abbey has published the Missale Romanum, a lay missal originally produced by Father Anselm Schott of Beuron. The abbey also houses the Vetus-Latina-Institut (Ancient Latin Institute), which has for its purpose the collection and publication of all extant old Latin translations of the Bible.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.