Bergpark Wilhelmshöhe is a unique landscape park in Kassel. The area of the park is 2.4 square kilometres, making it the largest European hillside park, and second largest park on a mountain slope in the world. Descending a long hill dominated by a giant statue of Hercules, the monumental water displays of Wilhelmshöhe were begun by Landgrave Carl of Hesse-Kassel in 1689 around an east-west axis and were developed further into the 19th century. Reservoirs and channels behind the Hercules Monument supply water to a complex system of hydro-pneumatic devices that supply the site’s large Baroque water theatre, grotto, fountains and 350-metre long Grand Cascade. Beyond this, channels and waterways wind across the axis, feeding a series of dramatic waterfalls and wild rapids, the geyser-like Grand Fountain which leaps 50m high, the lake and secluded ponds that enliven the Romantic garden created in the 18th century by Carl’s great-grandson, Elector Wilhelm I. The great size of the park and its waterworks along with the towering Hercules statue constitute an expression of the ideals of absolutist Monarchy while the ensemble is a remarkable testimony to the aesthetics of the Baroque and Romantic periods.
Schloss Wilhelmshöhe was damaged by Allied bombs in World War II. From 1968 to 1974, it was rebuilt as an art museum. It houses a wallpaper collection, a collection of Graeco-Roman antiques, and a gallery of Old Masters paintings. The collection focuses on the 16th and 17th century, containing masterpieces by German, Italian, French and Spanish painters. It comprises the second-largest collection of Rembrandts in Germany. Rembrandt's famous 'Saskia' and 'The Man with the Slouch Hat' by Frans Hals are among them.
On 23 June 2013 Wilhelmshöhe was proclaimed as a World Heritage Site during the UNESCO meeting in Phnom Penh.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.