The Hohle Fels is a cave in the Swabian Alps that has yielded a number of important archaeological finds dating to the Upper Paleolithic age. Artifacts found in the cave represent some of the earliest examples of prehistoric art and musical instruments ever discovered. The cave consists of a tunnel of about 15 m (50 ft) and a hall holding about 6,000 m3, making the cave hall one of the largest of Southern Germany.
The first excavation took place in 1870, yielding remnants of cave bears, reindeer, mammoths and horses as well as tools belonging to the Aurignacian culture of the Upper Paleolithic. Further excavations during 1958 to 1960, 1977, and 2002 yielded a number of spectacular finds, including several specimens of prehistoric sculpture such as an ivory bird and a human-lion hybrid figure similar to the Löwenmensch figurine but only 2.5 cm tall. In 2005, one of the oldest phallic representations was discovered.
In 2008, a team from the University of Tübingen, led by archaeologist Nicholas Conard, discovered an artifact known as the Venus of Hohle Fels, dated to about 35,000 to 40,000 years ago. This is the earliest known Venus figurine and the earliest undisputed example of figurative art. The team also unearthed a bone flute in the cave, and found two fragments of ivory flutes in nearby caves. The flutes date back at least 35,000 years and are some of the earliest musical instruments ever found. In 2012, it was announced that an earlier discovery of bone flute fragments in Geißenklösterle Cave now date back to about 42,000 years, instead of 37,000 years, as earlier perceived.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.