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Dun Beag is an iron-age broch situated at the north end of a small rocky knoll. The broch consists of a drystone tower with a diameter of around 18.6 metres with walls about 4 metres thick at the base. The broch currently stands to a maximum height of 2 metres.
The interior has a diameter of about 11 metres, and the entrance is on the east side. Internally three openings are visible in the broch wall. One leads to a small chamber; a second leads to a long narrow gallery within the wall; and a third leads to the stone stair of which some twenty steps survive.
The broch was visited by Thomas Pennant in 1772, and it was still a substantial structure, with a height of perhaps 4 metres. Around half of its wall height has been lost since the 18th century. The broch was excavated by the Countess Vincent Baillet de Latour between 1914 and 1920. Some 200 tons of earth and stones were removed from the broch and all the soil was sifted through the excavators' fingers. The standard of recording and publication was poor. Finds included many stone implements and utensils, a gold ring, bronze objects, a piece of folded sheet lead, iron and glass objects, a borer of bone, a pick made from an antler, much pottery and a stone cup. Several hundred glass beads were found although they are not thought to be prehistoric. Coins of Henry II, Edward I, James VI, George II and George III have been discovered, and it is possible that the broch was in use until comparatively recently.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.