The Church of Our Lady in Bruges dates mainly from the 13th, 14th and 15th centuries. Its tower, at 122.3 metres in height, remains the tallest structure in the city and the second tallest brickwork tower in the world.
In the choir space behind the high altar are the tombs of Charles the Bold, last Valois Duke of Burgundy, and his daughter, the duchess Mary. The gilded bronze effigies of both father and daughter repose at full length on polished slabs of black stone. Both are crowned, and Charles is represented in full armor and wearing the decoration of the Order of the Golden Fleece.
The altarpiece of the large chapel in the southern aisle enshrines the most celebrated art treasure of the church—a white marble sculpture of the Madonna and Child created by Michelangelo around 1504. Probably meant originally for Siena Cathedral, it was purchased in Italy by two Brugean merchants, the brothers Jan and Alexander Mouscron, and in 1514 donated to its present home. The sculpture was twice recovered after being looted by foreign occupiers—French revolutionaries c. 1794 and Nazi Germans in 1944. Close to the Michelangelo statue important Brugeans are buried such as Françoise de Haveskercke, buried next to her husband in the black tomb of the Haveskercke family on the right side of the statue.
References:The Chapel of St. Martin is the only completely preserved Romanesque building in Vyšehrad and one of the oldest in Prague. In was built around 1100 in the eastern part of the fortified outer ward. Between 1100 and 1300, the Rotrunda was surrounded by a cemetery. The building survived the Hussite Wars and was used as the municipal prison of the Town of the Vyšehrad Hill.
During the Thirty Years’ War, it was used as gunpowder storage, from 1700 to 1750, it was renovated and reconsecrated. In 1784, the chapel was closed passed to the military management which kept using it as a warehouseand a cannon-amunition manufacturing facility. In 1841, it was meant to be demolished to give way to the construction of a new road through Vyšehrad. Eventually, only the original western entrance was walled up and replaced with a new one in the sountren side. The dilapidating Rotunda subsequently served as a shelter for the poor.