The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911. Considered Hoffman's masterpiece, the Stoclet's house is one of the most refined and luxurious private houses of the twentieth century. The mansion is still occupied by the Stoclet family and is not open to visitors. It was designated as a world heritage site by UNESCO in June 2009.
The Stoclet Palace was commissioned by Adolphe Stoclet (1871-1949), a wealthy industrialist and art collector. He chose 35-year-old Austrian architect Josef Hoffmann (1870-1956), a founder member of the Vienna Secession, a radical group of designers and artists established in 1897. Hoffman abandoned fashions and styles of the past and produced a building that is an asymmetrical compilation of rectangular blocks, underlined by exaggerated lines and corners.
The starkness of the exterior is softened by artistic windows, which break through the line of the eaves, the rooftop conservatory and bronze sculptures of four nude males by Franz Metzner, which are mounted on the tower that rises above the stairwell. Regimented upright balustrades line the balconies, touched with Art Nouveau ornamentation.
The Stoclet Palace was the first residential project for the Wiener Werkstätte (Vienna Workshops), co-founded by Hoffman in 1903. Josef Hoffman and his colleagues designed every aspect of the mansion, down to the door handles and light fittings. The interior is as spartan as the exterior, with upright geometric furniture and minimal clutter. This was a avant-garde approach, presenting a 'reformed interior' where function dictated foem. The interior of the building is decorated with marble paneling and artworks, including mosaic friezes by Gustav Klimt and murals by Ludwig Heinrich Jungnickel. The integration of architects, artists, and artisans makes Stoclet Palace an example of a Gesamtkunstwerk, one of the defining characteristics of Jugendstil. Klimt's sketches for the dining room are in the permanent collection of the Museum für angewandte Kunst (MAK) in Vienna.
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The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.