The church St. Peter und Paul in Weimar, also known as Herderkirche after Johann Gottfried Herder, is the most important church building of the town. The first church was built on the same location from 1245 to 1249, but destroyed by fire in 1299. Only the foundations remain. The second building was badly damaged in the 1424 town fire. The present building dates back to the a hall church in late Gothic style, built between 1498 and 1500. The choir served as the burial place of members of nobility of the House of Wettin in the Ernestine duchies. The church has been Lutheran since 1525, and Martin Luther gave sermons there.
Towards the end of the Second World War, the church was severely damaged by bombing on 9 February 1945. The pitched roof and the wooden vaults were largely destroyed, the remaining stone vaults in the eastern portions collapsed. The entire interior was badly affected. The church was opened again after reconstruction on 14 June 1953. The repair and restoration of the interior was performed until 1977. The church is part of the World Heritage Site Classical Weimar, together with eleven other sites.
Not much is left of the original Gothic interior, the baptismal font, the stairs to the pulpit and parts of a mural of St. Ursula. The remarkable triptych image of the city was begun by Lucas Cranach the Elder in 1552/53, shortly before his death, and completed in 1555 by his son Lucas Cranach the Younger. It is regarded as a major work of art of the 16th century in Saxony and Thuringia.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.