The 48-hectare landscaped park on the edge of Weimar’s old town is part of a kilometre-long stretch of green along the Ilm. It was laid between 1778 and 1828 and features both sentimental, classical and post-classical/romantic styles.
The creation of the park on the Ilm river is closely linked with Goethe’s life and work in Weimar. In 1776, Duke Carl August gave the poet a small house with a garden, today known as Goethe's Garden House. The first constructions and developments appeared in 1778 on the rocky western slope. Paths were subsequently laid, seating installed, monuments, bridges and other park architecture built. Numerous trees and bushes were also planted. The old palace gardens such as the Stern and the Welsche Garten were redesigned and integrated into the park along with the eastern valley slope and the water meadow as far as Oberweimar.
Between 1791 and 1797, the Duke had the Roman House built in classical style. This is the main design featured in the southern part of the park. Important characteristics of the park include the numerous lines of sight linking features such as Goethe’s garden house, the Roman House and the bark house within the park; these also connect them with the surrounding countryside.
The work largely came to an end in 1828 with the death of Carl August, who had been a significant driving force behind the design of the park. Over the following decades, the park was maintained but part of its direct connection with the surrounding landscape disappeared due to building work such as the street Am Horn. Moreover, insufficient care of the trees and shrubs puts its original appearance at risk. Extensive reconstruction, preservation and maintenance work was carried out on the trees, shrubs, paths and architecture only when the park was taken over by the National Research and Memorial Sites of Classical German Literature (NFG) in 1970.
The park on the Ilm river has been one of sites in 'Classical Weimar' UNESCO World Heritage Site since 1998.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.